|

A Talk on Golf Basics



| |
Professional Golf Instruction
Arthur C T Wong, Department of PE, Hong Kong Institute of
Education

Content:

Introduction
When I first
received the invitation to give this talk, I really doubted if I would be the
appropriate person to say something on the captioned topic. I am no reputed
pedagogue in sports nor pro of any sorts in golf and not even an exceptionally
good golf player. However, I was convinced that this was to be a sharing of
experience as well as an academic presentation. As a PE teacher for over 20
years and one who is fond of playing golf, I believe that I have experiences
from my learning to play golf and my teaching students to play golf as well as
other sports to share with you. The word “professional”
in the title nevertheless indicates that some sort of expertice in this case,
academic and not practice, is expected. I will, however, try to blend basic
theory and practical issues to show their relationship.
The presentation will be in two parts. The first part will
focus on principles for teaching and coaching derived from motor learning and
sports psychology research. The second part focus on the fundamentals of the
golf swing and some related teaching/learning activities. Before we go ahead, I
wish to make two remarks. First, golf is a very complicated games, if not the
most complicated one. It is very difficult to cover every aspect in one single
book not to mention a single session of 20 minutes. What will be presented to
you is therefore in no way meant to be comprehensive nor exhaustive. Second,
also owing to golf ‘s
complexity, many golf pros have been most creative in devising different aids
and drills to achieve particular results. One shall not believe that one method
is superior to another, eachshold beregarded as different ways to suit
individual differences.
Learning to golf
Golf has rapidly been growing in popularity all over the
world and access to golf ranges and courses is easier than in the past. This is
also the case for Hong Kong and China. Societal changes such as better education
for the masses has led to better economy, more leisure and a greater demand for
sport services. Improved provision in sport facilities, and some other variables
contribute to the golf boom in Hong Kong (Louie, 1998). People learn golf in
many ways. The well to do may learn the game from private instruction by
teaching pros at a very young age. Some young people are lucky enough to receive
instruction from the public sector such as in schools and organized programs
offered by the municipal councils. However, many more others learn the game
during adulthood. The latter is more likely the case for a many people in Hong
Kong. They are introduced to the game by peers. Once hooked by the magic of
golf, their training has many faces. Some have irregular training sessions by
hiring a pro, others attend training courses offered by servicing agents or
learn from their peers. Thus, it is not uncommon to see peers teaching one
another at driving ranges. This is, on the one hand, a very interesting
phenomenon that deserves some study. It is also in some sense an effective way
of promoting golf ( in fact it is the same for many other sports such as
swimming, bowling, snooker etc.). On the other hand, it suggests that most
people believe that whoever can perform can teach. Whilst I also believe that
teaching sports skill carries a lot of common sense and I have no objection to
such a socializing process, I must maintain that skill instruction does have
something beyond common sense and it does not follow that being able to do
something necessarily qualifies you to teach whether it be golf, medicine, or
painting.
General Principles
for Motor Learning
Sports pedagogy
becomes a popular sub-discipline of physical education at tertiary level
education since the 70‘s
and has received much attention from teachers and coaches.The large amount of
research conducted in the past three decades enable us to know more, if not all,
about skill teaching. A rule of thumb for all of us to remember is that skills
should be learned in context as far as possible (Siedentop, 1991 and Rink,
1993). Isolated skills are meaningless. A simple observation from golf
illustrates this. Have we not seen perfect performances at the driving range
disappear all of a sudden when it comes to the course? We all have been so
frustrated or seen others experience the same, haven’t
we?
Motor learning research tells us that skill learning occurs
in stages. Schmidt (1991) suggests three. A brief look at these and some major
characteristics of each stage will help us to understand how we learn/teach
golf.
- Verbal-cognitive stage: The learner determines what to do and what the
goals are; improvement is rapid; movements are jerky and fragmented and
based on previous learning; decision making processes and self-talk
predominate; and attention demands are high.
- Motor stage: The learner begins to develop specific motor programs for the
actions; consistency increases rapidly; talk begins to decrease; and gains
in performance are somewhat slower than in the first stage.
- Autonomous stage: The learner has become very proficient; attention
demands are greatly reduced; the movements and sensory analyses begin to
become automatic; emphasis is placed on strategic or stylistic aspects of
performance; and continued gains in skill come relatively slowly.
While the above
picture is useful, it does not help our teaching/coaching in the field. The
following practical applications given by Schmidt (1991) would certainly appears
to be more practical. They may sound like common sense. However, try to match
these with your observations at driving ranges or courses and you may find
amazingly that a lot of “pros”and
good golfers violate such simple advice.
|
Instructing |
|
Demonstrating |
|
1. Verbal instructions are useful in early learning,
but only if they are straight-forward and direct and do not present too
many concepts. |
|
Supplement instructions with demonstrations, live
modeling, videotape, film, or photographs of effective actions. |
|
2. Distribute verbal instructions throughout the
practice, emphasizing the most fundamental ones first and the less
critical ones later. |
|
During a model ‘s
demonstration, the instructor should cue important points to direct the
learner’s
attention to the most relevant aspects of the performance. |
|
3. Explaining even the most elementary biomechanical,
physical, or physiological bases of actions is minimally useful in the
initial stage of practice. |
|
Suggesting what not to observe in the demonstration can
be effective in directing attention to relevant aspects. |
|
4. When in doubt, usually minimize verbal instructions
and substitute active practice; have the student get the idea and try it. |
|
Alternate short periods of practice with
demonstrations, allowing rest while new information is emphasized from the
model. |
|
5. Use previously learned movements or concepts in
instructions to increase transfer to the new skill ( “Imagine
that you are throwing a bucket of water with both hands at someone
standing right in front of you when swinging the club.”) |
|
In teaching children, try the simple statement “Do
this”
followed by a demonstration, minimizing complex instructions. (It often
works with adults too.) |
|
6. Define key points that the learners can check for
themselves later in practice, such as “straight
elbows”
in the golf backswing |
|
Employ models and demonstrations to demonstrate common
mistakes, ineffective form, or faulty strategy, but probably not in the
earliest stages of learning. |
(Remark: Those in italic are the writer ‘s
word.)
Schmidt, 1991, pp 177 &178
Teaching as an Art
Teaching/coaching
is scientific but a many would like to claim that it is an art. The fact is that
teaching/coaching is based on scientific findings but the application of these
findings requires a lot personal judgement and varies from individual to
individual. Some remarks about the above principles will enable teachers/coaches
to develop a greater perspective on teaching/coaching.
To tell or not to tell
Letting the
learners know the results of their performances (Kowledge of result e.g. the
ball is distant and straight) and the specific aspects of the performance have
been (knowledge of performance e.g. the swing has a good tempo) is important.
However, we must not take things too much for granted. Whilst specific and
immediate feedback often helps learning, occasional feedback (intermittent
reinforcement) is more effective than feedback given on every trial (Schmidt,
1991, p235). I have seen pros providing too detailed feedback (such as the
mechanical aspect of a swing) too frequently and others over taciturn.
Recent research suggests that immediate and frequent direct
feedback improve immediate learning result but may slow down long term learning
(Vickers, 1998). On the other hand, allowing the learners to explore all the
variables contributing to good performance instead of directly telling the
learners the “criteria
performance”
leads to quicker and greater improvement at the later stages of learning.
Schmidt, in his advice above, emphasizes that telling the
learner about even the most elementary scientific information such as
biomechamics of a movement is not going to directly improve learning. This is in
line with the latest research finding (Wulf and Weigelt, 1997). However, it must
be stressed that we are talking about teaching beginners at the very initial
stage. The writer believes that understanding of some basic scientific
principles will help the learners to grasp the “rule”
or “pattern”
of skills. This will enable the learners to progress faster at a later stage and
be able to adapt to a new environment which is different from the driving range
setting. So, whilst we should not dwell too much on the cognitive elements of a
certain skill, particularly during the initial phase of skill learning, some
cognitive information at a suitable stage should be positive to learning.
Teachers/coaches therefore should have a relatively thorough understanding of
the scientific facts about the movements or skills that are to be taught.
Demonstrations
We all believe,
and it is quite certain, that demonstration of some sort is effective in
teaching. However, recently some questions arise as to the effects with,
particularly expert, model demonstration which is quite common in golf teaching
(Darden, 1997). Whilst demonstration by pros, either live or by animation, is
certainly effective way to tell what is right and what is wrong, it encourages
imitation rather than true learning. We all know that no two pros are the same.
Mimicking discourages the learner from exploring the “rules”
or “general
pattern” of
the movement which enable the learner to apply the skills in context and make
adaptations when the context changes. On the other hand, “a
variable form of practice within a motor pattern (e.g. practicing different
clubface angles in golf swing) facilitates better learning of rules for a
movement”(Darden,
1997, p31) . Learners perceive the cause-and-effect nature of movement
principles better from these experiences. It is advisable that, whenever
possible, mixed expert-and-peers demonstration should be used. My personal
experience is that I learned more when I teach students with some very odd
problems (even when I was relatively new to golfing). Allowing individuals to
try different ways of doing the same thing leads to effective learning. The
table that follows shows the long and short term benefits of using expert as
learning models.
|
Short-Term (Expert, including live and picture/film) |
|
Long-Term (Learning) |
|
1. High Status |
|
Similar Status (Peers) |
|
2. High Level Performance |
|
Performance just above students ‘
current level |
|
3. Repeated, continuous demonstrations |
|
Varies demonstrations |
|
4. Correct performance |
|
Correct performance + errors |
|
5. Verbal cues with demonstration |
|
Verbal cues + instructor feedback with demonstration |
|
6. Identification of model ‘s
correct technique |
|
Identification and correction of model ‘s
errors |
|
7. One correct technique |
|
Exploration of several task solutions |
|
8. Encouragement of mimicry and exact reproduction |
|
Encouragement of problem solving and thinking |
Guidance (including aids)
Golf pros are
one of the most creative groups that I have seen in devising aids and guidance.
Many fancy devises have been created to help students mold their grips, swinging
patterns etc. Again, learning aids and guidance are only helpful when applied
appropriately. They may depress learning when compared to trial-and-error
practice (Kernodle and Turner, 1998). Personally, I believe that guidance may
ignore individual differences, deprive the learner from other possibilities,
make the learner become over dependent on the guidance/aids. It is advisable
that guidance/aids be sparingly used and when used the “fading
technique”
should be applied systematically (Kernodle and Turner, 1998).
An overall framework
One of the
unique characteristics of a good teacher/coach is not his/her expertise
performance, but the ability to observe and correct motor performances. The
first part of this presentation can be summed up by my drawing your attention to
some principles suggested by Turner (1998). Turner asks us to pay attention to
the object being hit and the instrument hitting it (the golf ball and the club
in our case). The movement patterns of these items can be viewed as a starting
point. The body segments and their relationship have a great influence on good
performance. The position of these body segments, the preparatory movement, the
point of impact and the follow-through are usually prime factors for successful
performance. Some basic understanding of physics will help greatly enhance our
ability to detect errors. In golf, we need to know for example, that curvilinear
flight is caused by the spin of the ball which is in turn caused by the path of
the club and the angle of the club face at impact. The distance the ball travels
is determined by the speed and trajectory of the ball. In turn the speed of the
ball is the result of the club head speed (over 110mph for the pros) which is
affected by the torque generated out of the difference between the rotations of
the shoulder and hip at the top of the backswing (McTeigue, 1996). On the other
hand, the trajectory of the ball is affected by the angle of approach and the
loft face of the club (which may be manipulated by varying the grips of the
club), the construction of the ball such as the dimple patterns, the layers and
the materials used for the core and so on. We do not think about all these
concepts while we play. However, these ideas show us how complex golf is. So
much of these are beyond our scope that I have to turn the attention to those
ideas more immediately related to golf swing.
Golf Swing
”Golf
is deceptively simple and endlessly complicated. It satisfies the soul and
frustrates the intellect. It is at the same time rewarding and maddening- it is
without a doubt the greatest game mankind has ever invented.“
-Arnold Palmer-
A game of golf
involves a range of skills from teeing off, to putting. Broadly speaking, these
could be grouped into putting game, short games and long games, all of which are
of equal importance. However, people, especially males, generally attach more
importance to the long games and hence they start their learning program with a
7 iron, then quickly jump to the woods and then putting. Whilst there seems to
be nothing wrong to doing so, some argue that learning golf should proceed from
the lower end of a hierarchy: Putting, Chipping, Short Pitch, Pitch Shots, Pitch
Wedge, Sand Wedge, Short Irons, Middle Irons, Long Irons, Fairway Woods, Driver
(Youngblood, 1991). Personally, I don‘t
believe that too rigid a hierarchy is necessary for a couple of reasons. First,
if one believes that the skills involved in a golf swing are basically the same
(many pros behold this), there is no reason to follow such an order rigidly. If
it is the otherwise, and playing a seven iron is different from playing a
driver, then it does not matter which one to go first. In both cases, we have to
be aware of the effect of transfer or interference. Secondly, looking at other
examples such as learning to swim, we prefer a multi-stroke approach nowadays
and find it superior to the “complete
mastery approach”.
This holds true for many sports and probably for golf too. The “spiral
concept” of
learning lends support to this. Up to this point, it is clear that it is good to
have a pedagogical system but we must be flexible in our teaching according to
the time available and needs of our students.
The Fundamentals
Although there are many things contributing to a good golf
swing, the following five variables (Owens and Bunkers, 1992) are of major
importance. An outline of these variables will provide a starting point.
Clubhead speed (CS)
When other
factors are equal, distance and the CS are directly proportional. Research
suggest that most good golfers swing at 65%-80% of their maximum. Beyond that,
accuracy and control may be sacrificed. Older golfers usually have a CS of 60mph
or lower; amateur women and senior men 60-80mph; amateur men and senior/women
pros 81-94mph; long hitting amateur/pros/very long women tour pros 95-110mph;
and the very long tour pros/long drive competitors over 110mph (Adams and Tomasi,
1996, p 14). Among the many variables that contribute to higher CS, there are
three major ones. The first is the cock angle and the speed of release. The
second is the so called “power
V” which is
released when your right hand, during the down swing, suddenly straightens
(Adams and Tomasi, 1996, p 31). The last one is the torque that is produced by
the difference between the hip and shoulder rotations on the backswing as well
as the ability to close this gap (McTeigue, 1996). Since maximum distance is
often a concern only at a later stage, one does not have to attend to these
factors too consciously but just perform the right movement at a good tempo.
Clubhead path (CP)
The CP is an
inclined plane at about 45% to the ground (Owen and Bunkers, 1992, p 2). If one
projects the clubhead on the ground, it should form a sort of in-to-in path. If
we impose this on an imaginary clock flat on the ground with the ball seated at
center, the clubhead should follow the 4:00-center-8:00 path, although the
golfer has to imagine a 3:30-to-9:00 path in practice(Lewis, 1995, p 9 or p85).
As you will see later, the CP combines with other variables, mainly the clubface
to produce a variety of ball flights which trouble the beginners and many
amateur golfers.
Clubhead face
The clubface
(CF) should usually be square. The level of openness (or closeness) determines
the side spin of the ball. This spin will come into play once the ball slows
down and produce slices or hooks respectively. In fact, there are nine possible
ball flights when the CF works together with the CP (Lewis, 1995, pp 86-88).
Angle of approach
The loft of the
clubs determines the height of the ball flight. This is why we have a range of
clubs with different loft angles. With any one club, however, the angle of
approach (AA), which is under the manipulation of a skilled golfer (for example,
by placing the ball differently between the bracket of the two feet) also
affects the trajectory (Owne and Bunkers, 1992, p 3).
Centeredness of contact
Hitting the ball
with the centroid, the “sweet
spot“,
produces solid and straight performances. As the contact moves towards the heel
or the toe, errors such as shanking or slicing will occur.
The Swing
We will now
return to the essence of golf swing. The following is a brief outline of the
components of a swing which is the major concern of most teachers/coaches for
beginners. I will not attempt to reproduce detailed descriptions of each of the
elements - these can be found in most golf texts. I will try to highlight the
important points and abstract for your references some practical suggestions or
tips for teaching. I will as well share with you my own personal experience.
The pre-swing elements include:
Griping (based on overlap grip)
 | the last three fingers of each hand are holding tight whereas the index
fingers and thumbs relatively light (Lewis, 1995, p14) |
 | a neutral grip will allow one to one and a half of the knuckles to be seen
from above (Lewis, 1995, p15) on both hands |
 | strong grip tends to produce low and left turn ball flight (Lewis, 1995,
p16) |
 | weak grip tends to produce high and right turn ball flight (Lewis, 1995,
p16) |
Aiming
 | adopt a consistent approach that you are comfortable with |
 | look at the target from behind the tee off point to formulate the target
line |
 | make use of divots/or loose impediments that are 10-18 inches either in
front or behind (the one I prefer) the teed-up ball to align the target (or
use your driver head to point at spot if no divot is available) |
 | stand square to the imaginary line formed between the ball and the mark |
Setup
 | an adequate stance: shoulder width (see Adams and Tomasi, 1996, p 26 for the
foot flare experiment); relaxed forward leaning posture; leg loosely straight,
lean forward until weight on ball of feet, knees slightly bent, hands hanging
in the front naturally and comfortably |
 | hip, shoulder and club head all square |
 | weight on midstep to balls of feet and evenly distributed |
 | ball placed at mid of the center to target foot (it varies depending of the
trajectory expected) |
The in-swing elements include:
Plane of swing
 | target hand and arm above the shoulder (in plane) |
 | supporting hand‘s
elbow comfortably pointing the ground |
The Width of Arc
 | this is the radius of the swing |
 | generally speaking, the wider the arc, the farther the ball flies |
 | both hands extended but not stiff at the elbows to increase the arc width |
 | adopt the ‘Y“
or reverted ”K“
stance according to needs |
The Length of the Arc
 | the backswing which should normally be directly proportional to the distance
desired (quarter swing, half swing, and full swing) |
 | a two lever swing position (target hand cocked according to the club used to
allow short irons to a point at no more than 45 degrees and driver at
horizontal) |
Target hand and wrist Position
 | Target hand kept straight but not stiff (better tension and thus power at
swing) |
 | wrist of target hand square; concaved(cupped) or convexed(flexed) wrist
facilitate slice and draw respectively (Owens and Bunkers, 1992, p7) |
Levers
 | the target hand and club acts as one long lever |
 | the cock of wrist acts as a second lever |
 | the bend of the non-target hand at the elbow creates the third lever (this
adds potential errors and is not desirable) (Ownes and Bunker, 1992, p7) |
Timing
 | send away the club head slowly
(left hand and club moving in one piece is recommended for beginners) |
 | clubhead stay along the ground
until it cross the non-target leg
(or horizontally move back for 10-18 inches as marked by some divot or loose
impediment I suggested earlier) |
 | take the club up and begins to cock and pause slightly at top |
 | initiate the down swing with the left leg, hips pressing lightly towards
target (the pulling down action of the left hand starts immediately after),
shoulders and then the arms (there could be some variations but this order is
easy to follow) |
Release
 | the non-target hand extends as the target hand approach the non-target leg |
 | release (uncock) follows |
 | club head stays low after impact and during the throw away |
 | non-target hand cross over and goes on top of the target hand at upswing |
Balance
 | keep your sight down as the club cross and impact takes place |
 | push your buckle (tummy) towards the direction desired |
 | the power of the swing should take your club and hands comfortably on top of
the target shoulder |
Summary
For most people
, (1) slowing down the backswing, (2) letting the club head stay down until it
crosses the non-target leg, and (3) letting the target leg and hip initiate the
down swing are the most basic and useful cues. For beginners, and when competent
golfers lose the tempo, the first two cues are particularly important. Once
these two movements are controlled, I can very often recover the tempo
gradually. The shift of the weight as initiated by the target leg and hips
towards the target side is very important. Slow motion analysis indicates that
the swing arc flattens through impact transferring most of the energy
horizontally rather then down or up. So, the swing arc is in fact more a “U”
shape rather than a “V”
shape. One of the great differences between distant hitters and beginners is
their ability to control the rhythm or tempo of this series of movement.
We have
attempted to briefly review some important factors about golf. It is of course
impossible to do justice to this topic in a lifetime never mind 20 minutes. My
attempt should be seen as a preface or beginning. I do not believe I have said
anything profound but one should remember that simplicity is extremely complex.
In golf if we could all approach it simply, we might well be better
players/teachers. Remember, the most difficult distance to cover in the golf
course is the one between one‘s
ears.
Acknowledgement
I wish to convey
my gratitude to Dr. Phil E Lyon, Principal Lecturer of the Department of Special
Education, Hong Kong Institute of Education. His interest in golfing enables him
to ask many questions which lead to rephrasing many parts of this paper. His
proof reading also makes the paper more reading.
References:
Adams M and Tomasi T J (1996). Play Better Golf. Journey
Editions, Boston.
Bradbeer R & Morrison I (1991). 100 Golfing Tips. The
Apple Press. London.
Cook C and McCleery P (Ed) (1986). Tips from the Tour Pocket
Books, NY.
Darden G F (1997). "Demonstrating Motor Skills-
Rethinking that Expert Demonstration" in JOPERD. Vol.68, No.6, Aug.
Kernodle M W and Turner E T (1998). "The Effective use
of guidance techniques in teaching racquet sports". JOPERD. Vol.69, No.5,
May/June.
Lewis B (1995). Golf Clinic: Play Better Golf. Tiger Books
International, London.
Louie H T (1998). "Investigationg the acceptance of golf
by people in Hong Kong". Hong Kong Recreation Review. Vol.10, January,
pp6-13. The Hong Kong Recreation Management Association.
McCleery P (Ed) (1985). More Instant Golf Lessons. Golf
Digest, NY.
McTeigue M (1996). “The
Science of the Swing”
in Golf Magazine, December.
Owens D and Bunker L K (1989). Golf, Step to Success. Leisure
Press. Champaign, Illinois.
Owens D and Bunker L K (1992). Advanced Golf, Step to
Success. Leisure Press. Champaign, Illinois.
Rink, J E (1993). Teaching Physical Education for Learning.
Mosby.
Robertson B (1993). From Tee to Green. Tiger Books
International, London.
Schmidt R A (1991). Motor Learning and Performance: From
Principles to Practice. Human Kinetics Books. Champaign. Illinois.
Siedentop D (1991). Developing Teaching Skills in Physical
Education. Mayfield.
Truner E T (1998). "A concise guide for the
teacher-coach to successfully observe and correct motor skills."JOPERD.
Vol.69, No.3, March.
Vickers J (1998). Presentations made at the Symposium of
Sports Science and Physical Education 98: Teaching and Coaching, CUHK, May.
Wulf G and Weigelt C (1997). “Instructions
about physical principles in learning a complex motor skill: to tell or not to
tell“ in
Research Quarterly for Exercise and Sport, Vol 68.no.4.pp362-367
Youngblood J (1991). How I went from 28 to scratch. Foulsham.
London

Click here to go Homepage
|